Students live in a friendly and caring community which is committed to their safety and welfare. Students receive outstanding Health & Well-being support specifically designed for dancers.
We are proud to be a world class centre of excellence for the training and education of classical ballet dancers where graduating students are prepared to secure contracts with national and international ballet companies. Teachers come from successful professional dance backgrounds and teach with passion and commitment.
A student-focussed learning experience maximises each studentís potential in learning, living and dancing skills. The positive learning environment and high expectations prepare our graduates for life in the very best national and international ballet companies.
Elmhurst in Association with Birmingham Royal Ballet is a world renowned centre of excellence for the training and education of ballet dancers. Students are equipped with the skills, resilience and creativity to succeed and make a difference in the professional dance world and beyond.

Two Leading Birmingham Institutions Inspire Next Generation of Ballet Pianists

Birmingham City University’s Royal Birmingham Conservatoire and Elmhurst Ballet School is inspiring music students to experience the working life of a professional ballet pianist with its ‘Placement for Pianists Programme’. Due to overwhelming interest and a successful inaugural first year, launched as a pilot scheme in September 2017, organisers of the initiative are pleased to announce it will continue with a second cohort in the 2018 – 2019 academic year.

The programme, endorsed by Conservatoire Principal Julian Lloyd-Webber, provides a very rare opportunity for music students to explore the highly specialised artistry and technique of ballet pianism during mentoring, observational and practical sessions with pianists working full-time at our school.

Following initial meetings between Mikael Petersson, Elmhurst’s Music Planning Coordinator and pianist, and Royal Birmingham Conservatoire’s Luan Shaw, Head of Pedagogy and Community Engagement, and Katharine Lam, Piano Tutor & Pedagogy Lecturer, Petersson and pianist from Birmingham Royal Ballet, Jeanette Wong, were invited to speak to over 100 Conservatoire music students with the aim of introducing them to the fascinating world of ballet pianism.  Uptake to join the Placement was large and after an audition process, piano students Connor Wilcox and Yung-Li Chen were selected to take part in the scheme – marking the first collaboration between the two Birmingham based educational establishments.  

Over the last four months, Connor, from Burntisland in Fife, and Yung-Li, from Yilan City in Taiwan, have attended ten programme sessions at our school, have observed and played for ballet classes, have spent a day observing pianists at Birmingham Royal Ballet and have benefitted from one-to-one tutorials with Elmhurst’s pianists Mikael Petersson and Elaine Li - both also graduates of the renowned Royal Birmingham Conservatoire, granted its Royal title by Her Majesty The Queen in 2017. 

Julian Lloyd Webber, Principal of Royal Birmingham Conservatoire, said: Royal Birmingham Conservatoire pays care and attention to musicians as entrepreneurs, preparing our students for the opportunities and challenges presented by the future of the profession, and with the intention that they leave us as employable music professionals. Unique partnerships such as this one with Elmhurst Ballet School ensure that we are continually fulfilling our promise.

“I am delighted that this partnership with Elmhurst has come to fruition – the combination of some of the country’s best young dancers and pianists working together is simply electrifying, and exemplifies our joint ethos of wanting to further embed ourselves within the city we serve. It is fantastic that the Placement will continue next year and I am excited to see in which other directions our partnership follows.”

Mikael Petersson, Elmhurst’s Music Planning Coordinator and pianist, said: “The art world needs to be accessible to more people, so it’s vital for arts venues, training establishments and artists to reach out to wider audiences. It can begin with projects like the Placement Programme for Pianists, where young musicians meet with young dancers and new ideas are born.

He continued: “As a former Conservatoire student, I realised during my student years the importance of establishing a professional network well before the completion of the degree.  Finding work is increasingly dependent on an individual’s ability to take initiative and reach out to work places. This scheme facilitates taking those first steps so entering the profession is a little easier. I hope by working together in this way, two of the world’s leading conservatoires and their talented students will continue to inspire each other.”   

Photograph by Dylan Line

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